Thursday, 31 May 2012

The other side of me

SOMETIMES something will occur in a person's life that will define them and delineate a place for them on the atlas of history.
There is a story in my family from my paternal grandmother's side that my great great grandmother fled China during some revolution or other and boarded a boat to British Guiana as Guyana was then called.
In the pandemonium of fleeing refugees on the wharf, she allegedly lost a son and the boat slipped from the harbour without him.
This was only a family story and has never been corroborated and, as the generations passed, the story probably changed, leaving only a residue of truth ... a Chinese whisper in this case.
Having a nose through the internet a few days ago, I found her: my great great grandmother who they called Loo Shee (or Lo She) or, as she was known after her marriage to my great great grandfather, Rebecca Lee-A-Tak.
Loo Shee was  apparently from a wealthy Manchurian family and lived in the Guangdong province in Southern China (probably in Canton, now Guanzhou) in the mid-1800s during the Qing Dynasty.
This was a time of civil unrest, where the Opium Wars had devastated the country, feudalism caused starvation and imperial corruption was rife.
It was also known as the Golden Age of Chinese culture, fed by Confucianism, where centuries of war and repression led to egalitarian ideologies and eventually an end to the age of empires.
It took a peasant Hong Xiuquan, claiming to be the brother of Jesus Christ, to awaken the sleeping dragon of courage in the hearts of the peasant population, and the Tai Ping revolution was born.
Tai Ping ideologies had one goal: to rid themselves of the ruling powers by annihilating them, burning their homes and redistributing the spoils to the poor. The armies of the Kingdom of Heaven rose and declared war on the emperor.
This was one of the bloodiest and most brutal internal conflicts in history. During 14 years of violence, the rebellion claimed the lives of 20 million people.
But, fortunately, not that of my great great grandmother.
The family story says that, because her feet were bound, she had to be carried onto the boat. Whatever method she used to get on the ship, she boarded The Chapman on 27 February 1861 to British Guiana, on 9 June of that year.
During the voyage she married a man called U-A-Ho.
After his death, great great granny married another refugee called Lee-A-Tak and the rest they say, to quote an old cliché, is history.
What a tale and even more poignant is that this is part of my story: a chapter that had not been read until now.
There's a piece about her here. The picture above shows her at the grand old age of 80 (note trappings of Western civilisation!) and I think she is magnificent. Look at her beautiful tiny feet.
Loo Shee's life in Guyana is probably well-documented. I know, for example, that her descendants were some of the most influential and successful people in the country and many of them are my aunts, uncles, cousins, nieces and nephews scattered across the Americas and various parts of the globe.
It is doubtful, however, that I will ever know whether Lee Shoo left a son on the wharf. I would hate to think that she was forced to endure such pain but guess that she probably had already been through quite a lot before her first step onto the Chapman.
Most of the records were possibly burned during Tai Ping and the ones that survived, if any, were probably destroyed alongside the 16 to 45 million people by Chairman Mao and his Revolutionary Army in the Great Leap Forward.
I intend to find out as much as I can of Loo Shee and get properly acquainted with my long lost relation that I already feel close to.
But was she a gentle, kind woman or a hard-nosed inscrutable alpha female? Did she nag? Did her feet remain bound? Was she happy?
I will keep a space in my imagination to tell the remainder of Loo Shee's story and a place in my heart for the rest.







Tuesday, 3 April 2012

A beautiful truth

WRITING all day for a living sounds like the ideal job for an author.
It's what you write, however, that really matters: facts are for work; imagination is for pleasure.
Churning out press releases; cobbling together stories from garbled notes; finding catchy headlines; and adding captions to out-of-focus photographs all within strangling deadlines is the grim reality of contemporary newspaper journalism.
Personal voice is gagged by 6Ws in an inverted pyramid and there is little room for creativity within a 250-word limit.
Good journalists should only be interested in the facts.
Good fiction writers, on the other hand, should allow imagination to light the way and ever let the fancy roam.
Which leads in nicely to what I really wanted to blog about today.
It was with some trepidation that I watched Bright Star on the TV a few days ago. It worried me that I wouldn't like the actor that portrayed the man I have known and loved since I was 14.
John Keats
John Keats gave me a passion for words. He was the single most profound inspiration to the creative writer inside me that I met the same time as I found him.
Keats opened up a whole new world of words for me: he taught me that they could be beautiful. They could describe scenes, thoughts, emotions and inanimate objects in a way that made the heart soar and fingers tremble against the page.
I learned that a breeze could sigh; a Greek pot could be an "unravish'd bride of quietness"; and the nightingale was immortal.
"Beauty is truth, truth beauty". I don't believe that Keats intended this statement to be a conundrum or even an oxymoron. Erudite scholars of literature and philosophy have been pondering on the meaning of those five little words for almost 200 years, but I think I understand what he was trying to say.
Truth is more important than fact: anyone can churn the latter out. It is the inquisitive, creative mind that takes a long, deep gaze beyond the surface to find the truth and the beauty beyond will reveal itself.
For a writer, there is no more effective way to achieve this than through the "viewless wings" of the imagination.
Words should not only touch the mind; they should go through the soul.



Sunday, 11 March 2012

Eilean Donan Castle, Loch Duich
I am, without doubt, the world's worst blogger.
Not only do I fail to blog regularly, or at all, I didn't realise that I had a spam bucket and that a few really lovely comments about my blog had been turned into a pre-cooked meat product of dubious nutritional value.
For those who had taken the time and effort to write your wonderful words of encouragement, please accept my apologies. It was my belief that no one read my blog but now you have inspired me to keep it going more regularly.
Thank you anonymous. Here's a picture of Eilean Donan Castle on Loch Duich (where Highlander was filmed and one of the most iconic Scottish vistas) as a token of my gratitude.